When I was practicing tango with my dance partner last Saturday night, we noticed something. There was a part of this choreography that both my dance partner and I didn’t like. Our teachers had said nothing about this part being obviously strange or awkward, but to our eyes, there was something wrong about it.
This part involves us walking together. I stand right next to her and we walk. It takes only a few seconds… or 5 steps for this part. The problem was simple: We looked bored to death.
It wasn’t a new problem, but we finally decided to do something about it. We noticed the position of our arms didn’t look right. After we experimented for a while, we came to think it would be better if I stood on her left and behind her rather than standing next to her. That way, we could keep our arms in a better position. But, a new problem appeared. In that new position I had a difficulty moving my right leg forward, because her left leg would block it.
Then I remembered the most basic thing I learnt from my teacher: how to walk. When you walk properly in a tango way, you bring your foot forward and almost in front of the other foot. (If you are interested, watch this video.) Before, I used to bring my right leg just forward and that was all. When I tried to walk in a proper way, I could take a step without getting blocked by my dance partner’s leg.
When I noticed this solution, I realized how important it is to work on this most fundamental move of all – walking. I only started learning tango since April, and there were a lot to learn. Compared to other moves, there’s nothing flashy about walking, at least when you look at it from a beginner’s perspective. I had forgotten about this most fundamental move. But luckily, I remembered about it.
Actually, I bet that fundamental moves like walking make a difference between the good and the excellent when you look at the whole thing from an expert’s perspective. I think this way, because I can apply my Brazilian Jiu Jitsu experiences to this situation as well. I know from my experiences that the fundamental moves are more important than flashy techniques, and I know that many people neglect those fundamental moves, while getting distracted by fancy moves.
I have a few questions for you. What’s the most fundamental thing in what you are passionate about? Have you been paying attention to it? Or have you been distracted by some other things that look somewhat better than this most fundamental thing? If you’ve been distracted, perhaps it’s a good time to focus on the basic things.